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I think this movie is really nice, i mean amazing. I think so because it was full of nice jokes, yes i laughed on them.
The actors were brilliant, like they made you believe in them. Also, the story is pretty nice and the directing is also nice.
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The Soundtrack is also good. Well, in general the movie was full of suspense, it's like you think that this thing gonna happen and you found the opposite thing happening. It's also full of new actions,in a very fast way that you won't get bored while watching the movie. Well, the end made the movie simply perfect,while watching it, i expected Alex and Rosie, together but not that way. Finally, let me just, this Romantic Comedy is Amazing and really entertaining. I know, that movie based on the book doesn't need to necessarily cover it step by step.but showing totally different facts and making it sound like a romantic comedy with a very happy end?No. For me the book was both tragic and entertaining at times.
But there was nothing 'they lived happily ever after'in it. Rosie and Alex missed so many chances ( as it happens in life) and they finally had courage to be together in their 50's.
And yes- that was the very happy moment for me as a reader and I almost jumped when they finally got together.But the movie didn't gave me that jump. I have ready many books and then watched many movies based on them books.and that's why I can honestly state here: Read the book ( I think it's one of the best C.Aherns books) and watch the movie.But don't expect nothing special. Rosie and Alex have been best friends since primary school. They nearly got romantic on Rosie's 18th birthday, but Rosie was way too drunk. Since then, both have had relationships, just not with each other - timing has always worked against them.When I watched the trailer for Love, Rosie, I thought 'I now know exactly what will happen in this film.' But I like Lily Collins, so I went to see it anyway. And I was quite right - the story progresses along the tramlines which are displayed in that trailer (with one or two little sidetracks), so don't expect any earth-shattering surprises.But it doesn't matter.
Lily Collins and Sam Claflin have an easy chemistry, the film is a romantic drama with some gently amusing moments, the supporting cast is good, and Collins turns out to be able to do a bit of acting, too.I enjoyed this. Sam Claflin and Lily Collins play Alex and Rosie, whom we watch grow from childhood friends to awkward adults, separated by sea but bound by heart. No contrivance is left uncontrived to keep them apart. Bad relationships. Even worse relationships. It's life, Jim, but not as we know it.
Fans of the book may be dismayed to learn that the film deviates from the text in the final act although by then they might actually be glad we're not going the whole hog.Conspicuously boring, the film lifelessly portrays the lives of two remarkably cute yet determinedly unremarkable people who seem to be making a conscious effort to build a semi-tragic love story while leaving a trail of half-loved partners in their wake. It's all building to an inevitable kiss. Unfortunately, a combination of poor editing, and rapid-onset attention deficit syndrome on my part, meant I went through the movie under the misapprehension that Alex and Rosie had already got jiggy at the start, which may have undermined some of the climactic impact.The supporting cast is comprised of pantomime villain boyfriends, poisonously bitchy girlfriends, and an infinitely accommodating pro-life Catholic family. Rosie's best friend is one of those handily not-quite-as-pretty mates (Jaime Winstone) who says things bluntly and whose impossibly simple personal philosophy acts solely to highlight the needless complications of Rosie's own life.This is a ruthlessly formulaic movie in which I lost count of the occasions that Alex or Rosie would come to the conclusion that they love each other, only to discover in the same instant that the other was committed elsewhere. Each dull revelation is followed by empowering montage, propelled by a listless soft rock soundtrack. The early slapstick humour all baby vomit and lost condoms is Carry On funny (by which I mean not funny) and gives way to more 'grown-up' jokes of the blandly observational variety. Nothing that hasn't been noticed by countless Saturday night stand-ups.This is unreal life depicted as a series of poetic coincidences, giving the illusion of fate.
It's utterly disingenuous. What, perhaps, wistful 14-year-olds might imagine adult relationships are like. The rest of us are thinking: Get over it. Man up or move on. Somewhere there may be an interesting film to made about the way in which bleeding heart romantics skilfully maintain unconsummated tension over time, but this isn't it.Claflin and Collins are likable leads, and with a decent script and a plausible story they might have showed some chemistry.
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But it's hard to connect cinematically over text, Skype, and eye-rolling narrative contrivance. I fear that audiences may find it similarly hard to connect with this film. Romance novelist Cecilia Ahern made a bit of a splash in chick-lit circles when her second novel, Where Rainbows End, was published in 2004. It was a tale of two people who were clearly perfect for each other but could never seem to find their way towards being in love, told in the form of e-mails, text messages and letters.
The story itself was predictable, but the format was reasonably hip and refreshing at the time. Ten years later, the book has been turned into a slight but amiable romantic comedy for the silver screen.
The film isn't particularly hip or refreshing, but boasts just enough charm and emotion to entertain - even if it isn't a film that will stay with you for long afterwards.Rosie Dunne (Lily Collins) has been best friends with Alex Stewart (Sam Claflin) since they were kids. They've always meant the world to each other, but have never become more than friends. At their high-school prom, they ask other people to the dance. Alex moves to Boston to begin his studies in medicine, and Rosie must stay behind due to an unexpected pregnancy. Over the next several years, she raises a child on her own, and he gets married. Through all of life's changes and upheavals, they still pop up on each other's radar, connected via e-mails, text messages and a bond that one suspects can never really be broken.That's pretty much it, really - the outcome of the film is never in doubt, however long it might take to get there.
Indeed, one problem with Love, Rosie is that it does take a relatively long time to get to the point, even though it's tried to simplify Ahern's novel by merging characters and removing subplots. The longer it goes on, the harder it becomes to buy into the various situations, events and misunderstandings that conspire to keep Alex and Rosie apart - whether it's his marriage or hers, the rekindling of old relationships, or plain ol' geography. Their relationship is so heavily peppered with coincidences and mishaps that it could have made a decent dark melodrama about the dangerous effects of co- dependency.And yet, for all its plot problems, Love, Rosie is a mostly charming affair. There's some real depth to the relationship between Rosie and Alex, one which transcends both friendship and romance in unexpectedly touching ways - whether it's her decision not to ruin his future by telling him about her pregnancy, or the comfort he selflessly gives her when she's struggling to stay afloat in the wake of a family tragedy. Thrown into the mix is the sweet chemistry shared by Collins and Claflin, who are both very cute and very committed to making their roles work. (Collins never feels or looks old enough to play the mother of a teenage girl, even one who had her kid as a teenager, but that's a minor quibble.)Considering how predictable the story is, it's something of a minor miracle that Love, Rosie works at all. But it does, for the most part, whenever it manages to find the heart and humour of its characters and their almost painfully intertwined lives amidst its many narrative contrivances.
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It's not great art, or even one of the great romantic comedies, but it's a surprisingly decent diversion - one that should please Ahern's fans and perhaps win her a few new ones.